Turning Points and Revolution

Vol.63 Issue 04
Cover Artist: Gina LeVay
TLR: Revolution cover image
…And are we supposed to believe
she can suddenly
talk angel? Who thought this stuff
up? …
—from “Girls Overheard While
Assembling a Puzzle” by Mary Szybist





literary revolution rolling out through March and April



Minna Zallman Proctor
Editor’s Letter


Julia Guez
Still Life with Insufficient iCloud Storage
On the Occasion of Our Tenth Anniversary


And here we are—           sewing
secrets we have wanted in some form
to keep,                             sewing


María Ospina, Colombia
translated from Spanish by Heather Cleary

“The problem is that novels aren’t made for the jungle”….


Lucas Hirsch, The Netherlands
translated from Dutch by Donna Spruijt-Metz


Joseph Levens
Girl in Tow


Willie Perdomo
Six Haikus


Jessie Van Eerden
When the Season Is Fitting


Sara Kearns


Daniel Elkind
Son of Wine


Kornélia Deres, Hungary
Pressure Lights
The Hero’s Triumphant Exodus
translated from Hungarian by Timea Sipos


Daniel Wolff


Tomas Tranströmer, Sweden
translated from Swedish by Patty Crane


Neta Alexander
Mostly Healthy, Always Sick


Brookes Moody
Portrait of a Guy


Matthew Lippman
Home Safe


Gina LeVaycover artist
Rejoneadora, 2006




Gina LeVay’s award-winning documentary work about the legendary NYC miners, The Sandhog Project, premiered as a large-scale photo and video installation at New York’s Grand Central Terminal, and the companion book Sandhogs, was published by powerHouse Books. LeVay’s work is shown in solo and group exhibitions in the US and Europe, including Museum of Contemporary Photography, Museo d’arte Contemporanea Roma (MACRO), American Museum of Natural History, Photo España, and Museum of the City of New York. Her photography was selected for New York in Color, which presents the best color photography of New York over the last century. LeVay has been a grant recipient of The Andrew Rhodes Fund at The Visual Arts Foundation, as well as one of PDN’s 30 image-makers of the future, and an adjunct professor of photography at The Fashion Institute of Technology.




Heather Cleary’s translations include Betina González’s American Delirium, Roque Larraquy’s Comemadre (nominee, National Book Award for Translated Literature 2018), Sergio Chejfec’s The Planets (finalist, Best Translated Book Award 2013), and The Dark (nominee, National Translation Award 2014). A member of the Cedilla & Co. translation collective and a founding editor of the digital, bilingual Buenos Aires Review, she teaches at Sarah Lawrence College.

Daniel Elkind is the author of Theory and Failure: Some Latter-Day Curse Tablets and Reflections on the Nature of the League (Gauss PDF). He lives in San Francisco. 

Julia Guez is the author of In an Invisible Glass Case Which Is Also a Frame (Four Way Books, 2019). Her poetry, prose, and translations have appeared in Poetry, Guernica, The Guardian, The Kenyon Review, PEN Poetry Series and the Brooklyn Rail. Four Way Books will be releasing her next book, The Certain Body, in 2022.  Guez teaches creative writing at Rutgers University.  She also serves as the senior managing director of program design and implementation at Teach For America New York. Guez lives in Brooklyn and online at www.juliaguez.net.

Lucas Hirsch is the author of five collections of poetry and a novel. Hirsch has published poems in Dutch, Belgian, and American magazines and performed on stages in the Netherlands, Belgium, and the USA. His poetry has been translated into English, Polish, Finnish and German. He lives in Haarlem, the Netherlands, where he is currently working on his second novel and a sixth book of poetry. 

Sara Kearns is the author of the chapbook, Incisor, forthcoming from Finishing Line Press. She has been a runner-up for the Stan and Tom Wick Poetry Prize, and was a finalist for the New Issues First Book Award and Boulevard’s Emerging Poet Contest. Her work has been most recently published online in DMQ Review and Rogue Agent. She lives and teaches in Pittsburgh.

Joseph Levens’ story is the first chapter in the first of two linked novels seeking publication. They are currently being adapted for the screen. Many of his short stories have been published in literary journals such as The Gettysburg Review, AGNI, and The Florida Review. A short story of his appeared in TLR issue 55:02. See what some of his characters are saying about him at josephlevens.com.

Matthew Lippman’s collection Mesmerizingly Sadly Beautiful won the 2018 Levis Prize and is published by Four Way Books. He has published five other collections of poems including The New Year of Yellow (winner of Kathryn A. Morton Prize, Sarabande Books), Salami Jew, American Chew (winner of Burnside Books Prize), Monkey Bars, and A Little Gut Magic. He is the Editor and Founder of the web-based project Love’s Executive Order (www.lovesexecutiveorder.com). 

María Ospina was born in Bogotá, Colombia, and teaches Latin American culture at Wesleyan University. She has written about memory, violence, and culture in contemporary Colombia. Her stories have appeared in anthologies in Colombia and Italy. Azares del cuerpo, her first book of fiction, has been published in Colombia, Chile, Spain, and Italy. “Policarpa” is part of the collection, Variations on the Body, forthcoming in summer 2021.

Donna Spruijt-Metz is Professor of Psychology and Preventive Medicine at the University of Southern California. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and is a translator of Dutch poetry. Her poetry and translations have appeared or are forthcoming in venues such as The Los Angeles Review, Copper Nickel, RHINO, The Cortland Review, and Poetry Northwest. Her chapbook, Slippery Surfaces was published by Finishing Line Press in 2019. You can find her at https://www.donnasmetz.com

Jessie van Eerden is the author of the portrait essay collection The Long Weeping and three novels: GloryboundMy Radio Radio, and Call It Horses which won the 2019 Dzanc Books Prize for Fiction and was just released in March 2021. Her work has appeared in Best American Spiritual WritingOxford AmericanImageNew England Reviewand other magazines and anthologies. She has been awarded the Gulf Coast Prize in Nonfiction, the Milton Fellowship, and a Mid Atlantic Arts Foundation Fellowship. Jessie teaches creative writing at Hollins University and serves as nonfiction editor for Orison Books. This is van Eerden’s second appearance in TLR.

Daniel Wolff‘s “Tug (Into the Market)” is taken from More Poems About Money, which will be published in the foreseeable future by Four Way Books. His latest chapbook, Ayiti, came out through Finishing Line Press, and his previous collection, The Names of Birds, was also from Four Way Books.