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Dusk at Kintaikyo

THOMAS HALLORAN


(a five-arch footbridge in Western Japan, from 1673)

Streetlamps orange the riverfront.
The schoolgirls who snapshot chums
on the dragon's humps
in the afternoon have gone.
Once in a while, rising and falling,
a dimly lit couple
slowly cross on the clattering boards
as if that could take centuries.




Orienting

THOMAS HALLORAN

The tulip trees are earning their other name now,
are dappled half yellow.
A few leaves are browned and falling,
as if the marching orders were, be discreet;
leave the field of the war against sky
and re-form later aground.
Our road, Sunday evening, is almost abandoned;
the city lights take charge.
A helicopter follows the freeway home.
Very carefully in my mind,
I trace, one to the next, sparse clumps of light
along an older, slimmer ribbon
crossing under us that time,
onto which we turned
from the black, starred beyond
that still waits oceanward and open-armed.



Thomas Halloran lives in California after teaching psychology at US facilities in Asia, and was one of the ten writers featured in the Fall, 1999 issue of The Literary Review.


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