Poetry from The Literary Review




Renée Ashley

Whose Bright Examining



You go anyway so. What do they call you? chucklehead?
dickbender? bowl of fish? skeet? (At this rate the woman

will never ah! she’s forgotten the beginning the end.)
They drew a chalk shadow in the shape of the female

not the dog. Head hanging like a flag. (You have to say
what you think no you don’t you never have to say that

out loud.) Not one shifts an impulse onto the bright with
her in mind. (One makes a soft, simple sound in the creak

of the attic roof. In the sink spilling over.) Such mewing
and crying! Love makes you stupid you still don’t get it

you are not the world you’re barely there. So. The light
on those gravestones still takes the shape of gravestones

and the dog whispers (the dog never) bone of the center.
Bone of the grass. God! (How can you not understand?

You carry the living. The heart laboring hard in its cell.
Mother of all things unfruitful. Victim of everything.)



Nothing Less Than Less Than Nothing



You have forgotten the words you need
to say that. (You’ve misplaced articles

: things are dangling, things are running
on, your restrictive clause is on the rails

in a universe parallel & sadly contracted.)
Your madmen are useless. (You liked me

best when I could not speak.) Your friends
say they’re deaf—and the ringing in your

ears is real. You’ve bum rushed every one
who’s tried to love you (they tend to leave

in the most abrupt ways). You’re alone be-
cause you scoured your house with sorrow.

Your daily word is cry (words have never
had meaning until now). Write your rebuke

in the white space around you, in what
could be called sleep or that-which-is-like,

the saying of what might really matter, of
what, so surely, you never will utter at all.




And Taken



A backward breath into lung and recall—I know what
damage is. I know the gun, trigger of the heart.
Respire. Expire. Aback or away. The day has been all
eyes and all those open. You are in me like too many
mouths.




Oh Yes Tomorrow Expect the Ordinary



The dogs sing beautifully over everything beautiful
or not—white sleet or white sun—and you have never
yet begun with nothing. Tell your friends to wait. This
will take some time. Imagine a burned house—steamy
sill, dampened ash. Shingle, lintel, coal. An emptiness

spread like soot. Can you even begin to comprehend
nothing? Posit a negative in a positive mind, the idea
of no idea expanding? The dark smell of gone, of you
can’t get this back. Consider the stark break between
yes and so often—between no and not yet, some time.

Think hypothetical, absolute. Oh druggery! Oh get me
through this. Every day. Dog song and dander jig your
approach—such joy! Privilege and you so heart-poor.
A poverty of fire. You yourself consumed. But not so
simple. Never as clear as that. Nothing so sweetly entire.